contrapuntal forms in dance

Each fugue has its own structure that changes according to the composers invention and needs. Not every culture has polyphonic or multi-part singing. CHOREOGRAPHIC FORMS IN DANCE I. Sequential II.Contrapuntal III.Episodic IV.Other compositional forms 66. The Exposition. In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. 1. PART 1: DANCE HISTORY A. SEQUENTIAL FORMS I. AB (two-part) form II.ABA (three-part) form III.Rondo Form (ABACA) IV.Themes and variations form 67. Where did ballet, as a theatre art, really start and develop? CHOREOGRAPHIC FORMS IN DANCE 65. Musical Forms From the Baroque Period . Ground Bass – single theme starts the dance and is repeated all the way through the dance while other contracting themes are simultaneously performed with it. a. ethnic, ballet, modern, jazz b. street, folk, theatre c. social/recreational, theatre d. Ground bass II.Round or Canon III.Fugue or Accumulation IV.Suite 68. The form of a dance determines the way it is organized. This week it’s contrapuntal polyphony. After the exposition the composer alternates between episodes and subject presentations. CONTRAPUNTAL FORMS A. It is important to point out that composers at the time were employed by the Church or by aristocrats and as such, were expected to produce compositions in large volumes, at times in a moment's notice. contrapuntal polyphony. When they do, it can take many different forms. CONTRAPUNTAL FORMS I. Multiple Choice: CIRCLE the letter of the best answer. 16th Century Dance Forms The increasingly diverse repertory of dances in the 16th century is reflected in the large variety of dance compositions in the collections of lute, keyboard, and ensemble music of the time. This is also referred to as “free polyphony”. CONTRAPUNTAL FORMS: Situation, Dance by Chance, Canon (Round), Ground Bass and Fugue. Form . Traditional music of East Asia tends to utilize multiple melodies rather than balancing a single melody against harmonies. As a compositional technique, counterpoint is found in many musical styles including Medieval music, gamelan, [not verified in body] and the music of West Africa. CHOREOGRAPHIC FORMS SEQUENTIAL FORMS: Narrative, Simple Binary form (AB), Tenery Form (ABA), Theme and Variation, Rondu (ABACA), Non-Specified Sequential Form. a. Italy b. France c. Russia d. United States 2. In part 3, I wrote about canonic polyphony. B. What is the best way to categorize the forms of dance? Forms: The Fugue. While there is no set terminology, members of the company most often refer to the different segments of fixed movement as themes. In part 2, I wrote about drone polyphony. Once the choreographer has conceived key movement phrases, he or she can combine, manipulate and organize them into longer sequences, paying attention to:. This contrapuntal dance is composed of fixed movement material with some instances of structured improvisation. Making Dance The Choreographer's Toolbox Form & Structure . 1. Aside from the opera, composers also wrote numerous sonatas, concerto grosso, and choral works. A fugue begins with an exposition. In part 1, I wrote about parallel polyphony. The 25 main themes are repeated and recombined over the course of the dance in their full and partial forms. In music theory, contrapuntal music appears in many forms. This is similar to the way musical forms like the suite, symphony or concerto shape their overall contour or identity. The letter of the best answer Asia tends to utilize multiple melodies rather than balancing a melody! Fugue has its own structure that changes according to the way it is organized forms! The different segments of fixed movement material with some instances of structured improvisation their full and partial.. 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